February 2025. Sometimes the most dangerous weapon is a perfectly filed form.
VIVIAN LAFARGE HAD ALWAYS KNOWN THE POWER OF APPEARANCES. At ninety-two, she still commanded every room she entered - tall and straight-backed, with white hair swept into an immaculate chignon, wearing tailored suits that whispered of Parisian ateliers and carrying a silver-headed cane that she used more for emphasis than support. Her accent was a cultured blend of continents—French sophistication layered over American pragmatism, with hints of other languages caught between. The kind of woman who made people want to impress her, even as she was quietly dismantling their plans.
She had outlived two great loves: Marie, her first, lost to cancer in '89, and Catherine, her wife of twenty-three years, who'd passed just before the pandemic. Both brilliant women who'd taught her different ways to fight. Marie had been a civil rights lawyer who knew every way to tie up a system in its own rules, who could make opposition crumble beneath perfectly cited precedents. Catherine, thirty years her junior and an investigative journalist, had shown her how modern resistance needed both old wisdom and new tools, how to spot the patterns of coming change in seemingly innocent policy shifts.
Some called her old-fashioned, with her handwritten notes on cream-colored stationery and her insistence on landline phone calls. They didn't understand that she had learned from her mother in occupied Paris: the most dangerous conversations happened best on paper that could be burned, in whispers that left no digital trace. Marguerite had taught her that elegance was armor, that perfect manners could deflect suspicion, that the right smile at the right moment could make people overlook just how carefully you were reading their documents.
She had recognized that same instinct in Riley Morrison immediately. The young theater director moved through the world like a spark in dry timber - brilliant, dangerous, and impossible to ignore. Riley had turned the Lorraine Hansberry Theatre into her fortress in fall 2024, her vintage suits and kitten heels marking her as someone who knew how to bridge worlds. She paired razor-sharp programming choices with the kind of meticulous documentation that made bureaucrats think she was one of them.
"You're already doing it," Vivian had said during their first real conversation in October, after watching Riley spend three hours in a board meeting discussing the exact semantic implications of the word "controversial" in the theater's mission statement. The way she'd kept everyone so perfectly focused on comma placement while quietly establishing precedents that would protect future productions - it was masterful.
"Doing what?" Riley had asked, shuffling her meticulous notes, her green eyes bright with barely contained fire.
"Fighting back. The same way my mother did. Through paperwork. Through process. Through perfect, maddening compliance." Vivian smiled, seeing how Riley's quick mind was already racing ahead. "Would you like to know how a perfectly placed comma once delayed a Nazi supply train for three crucial weeks?"
That had caught Riley's attention. "Your mother?"
"Marguerite LaFarge. Personal secretary to an American industrialist in occupied Paris. The Germans thought she was just another pretty young woman with good typing skills." Vivian's smile turned sharp with pride. "She had a manual, you see. A very special manual, given to her by an American agent. It taught her how to turn bureaucracy itself into a weapon."
Over cups of perfect coffee at Les Deux Canards, Vivian began passing on her mother's lessons. How to make compliance more dangerous than defiance. How to turn paperwork into resistance. How to fight without ever seeming to fight.
By January 20th, 2025, when executive orders began falling like artillery shells and the newly-created Office of Cultural Integrity flexed its powers, Riley was ready. Her theater was armored in paperwork, her productions protected by layers of procedures so perfect they were paralyzing. She had learned what Marguerite had known in Paris: sometimes the most effective resistance looks exactly like perfect cooperation.
"Tell me more about this manual," Riley said one evening, as they watched the sun set through Les Deux Canards' lace curtains. "About how your mother used it."
Vivian reached into her elegant leather attaché case and withdrew a slim volume, its cover worn smooth by decades of dangerous hope. "The OSS Simple Sabotage Field Manual," she said, laying it between them like a declaration of war. "It taught ordinary people how to grind an enemy's operations to a halt without ever lifting a weapon. Every bureaucratic nightmare you've ever encountered? It's all in here. And we're going to use every page of it."
To be continued...
A Note on Reality
The OSS Simple Sabotage Field Manual is not fiction. Declassified in 2008, it was created by the Office of Strategic Services in 1944 to teach ordinary citizens how to disrupt enemy operations using nothing but inefficiency and frustration. Its lessons in bureaucratic warfare remain startlingly relevant today and it sits in the CIA's archives, a testament to how people just like us once changed the course of history through simple, daily acts:
The complete manual can be found in the CIA's own archives:
CIA.gov - OSS Simple Sabotage Field Manual (1944)
Vivian and Riley's story continues. In the next chapter, they'll explore more of Marguerite's lessons from Paris, unlock more secrets from the manual's pages, and discover how a perfectly placed paperclip can sometimes change everything. Would you like to hear what happens next?
Chapter 2 The First Test
As I write this, there are readers of SHE WHO STIRS THE STORM in all fifty states and sixty-four countries around the world. Imagine, for a moment, what would happen if each of us picked up a paperclip and learned to use it as Marguerite did. If we all understood that resistance doesn't need violence or drama - just patience, paperwork, and perfect compliance.
Because sometimes the quietest acts create the loudest changes.
Think on it, Gloria
Brilliant Gloria, simply brilliant! Viva la resistance!
Coincidentally, I just learned of (and bookmarked) this manual today. And I can’t think of anyone better to tell the stories of Marguerite, Vivian, and Riley.
{staying tuned}